av Mikael Winterkvist | jan 14, 2021 | TED

Think twice when picking what pasta you want for dinner. The shape of your noodle makes a difference, explains Paola Antonelli, senior curator at The Museum of Modern Art.
av Mikael Winterkvist | jan 11, 2021 | TED
When trying to come up with a new idea, we all have times when we get stuck. But according to research by behavioral and learning scientist Marily Oppezzo, getting up and going for a walk might be all it takes to get your creative juices flowing. In this fun, fast talk, she explains how walking could help you get the most out of your next brainstorm.
av Mikael Winterkvist | jan 7, 2021 | TED

Can playing video games make you more productive? Gabe Zichermann shows how games are making kids better problem-solvers, and will make us better at everything from driving to multi-tasking.
av Mikael Winterkvist | jan 6, 2021 | TED

Artificial intelligence is all around us … and the future will only bring more of it. How can we ensure the AI systems we build are responsible, safe and sustainable? Ethical AI expert Genevieve Bell shares six framing questions to broaden our understanding of future technology — and create the next generation of critical thinkers and doers.
av Mikael Winterkvist | jan 3, 2021 | TED

Why does modern technology promise efficiency, but leave us constantly feeling pressed for time? Anthropologist Kathryn Bouskill explores the paradoxes of living in a fast-paced society and explains why we need to reconsider the importance of slowing down in a world that demands go, go, go.
av Mikael Winterkvist | jan 1, 2021 | TED

In 1901, David Hänig published research that led to what we know today as the taste map: an illustration that divides the tongue into four separate areas. It has since been published in textbooks and newspapers. There is just one problem: the map is wrong. So how do misconceptions like this spread, and what makes a fake fact so easy to believe? Joseph Isaac dives into the world of misinformation. [Directed by CUB Animation, narrated by Addison Anderson, music by József Iszlai].